gus koeniges
theatre educator
gus koeniges
theatre educator
Teaching Resume
Scenic Construction Supervisor Aug 2024-May 2026
Pascack Valley High School, Hillsdale, NJ
• Led high school students in building scenic elements, promoting attention to detail and safe use of
materials under tight deadlines.
• Produced planning documents and maintained equipment for streamlined performance logistics.
• Fostered student growth through mentorship and constructive feedback in a collaborative, project-based setting.
Assistant Director Oct 2025-Feb 2026
Stage Left Children’s Theatre, Tappan, NY
• Co-ran weekly rehearsals with students in grades 3-5 while exhibiting creativity, patience, flexibility, trust, and reliability.
• Choreographed dance numbers, rehearsed blocking from scenes, coached students on acting and vocal techniques, and facilitated fundamental theatre exercises.
• Oversaw technical aspects backstage to ensure a smooth and successful event execution in high- pressure settings.
Design and Technology Teaching Artist Oct 2024-Jan 2025
The Play Group Theatre, White Plains, NY
• Collaborated with the Design/Tech and production team to develop and implement the D/T
curriculum for the season by co-teaching weekly classes.
• Oversaw students in the booth and/or backstage during Main Stage technical rehearsals and
performances.
• Created a space for learning and creative development for students in grades 6-10.
Teaching Philosophy
My main goal as an educator is to provide a welcoming and affirming environment that empowers students to feel comfortable growing and learning. I feel that if I can empathize with my students and understand where they are coming from, I can better support them in meeting their educational needs. I strive to spend the transition periods and the first minute or so of every class checking in with each student. Even if I don’t get a response from every student, I wish to establish authentic connections with responsive students and learn more about their circumstances and well-being outside of the classroom.
I maintain high expectations and rigorous instruction in the classroom by providing frequent attention and prompting to my students. When teaching students who have struggles maintaining focus and attention, I make sure to circulate around the classroom to redirect and guide them towards productive class participation. I strive to engage with students directly and to call them by name, validating their identities. Having the students repeat my instructions out loud can help them to internalize directives to better maintain the classroom’s high expectations. I reinforce these expectations by establishing norms for peer critiques that emphasize respectful communication and consideration of student expression. I want to make sure that each student feels emotionally safe during the vulnerable process of sharing personal creative work. Taking risks through performance in a supportive environment can help increase student confidence. Under the right circumstances, students will be better equipped to focus on aspiring to an advanced quality of work and will feel strong ownership and pride towards their accomplishments.
I implement an inclusive curriculum and assessments by providing multiple access points for my students to relate to and participate in for assessments. Connecting a school community’s involvement with curriculum inside the classroom can have a large impact on student engagement. Theatre invites collaboration, especially when it's presented with the values of empathy and civic understanding. After internalizing the expressive storytelling of marginalized voices, students can feel encouraged to analyze and interpret the dominant narratives in theatre works. This sets the stage for students to explore their own identities and creatively share personal experiences through their own art. I facilitate inclusive assessments for my students by providing them with classroom materials in various languages and font sizes. I pay attention to my students’ needs in order to incorporate accommodations that equalize all students' opportunities to access the curriculum.
I engage in ongoing professional learning by frequently reflecting and revising my instruction according to feedback from my students, fellow teachers, and my supervisors. The use of research into supportive classroom practices, insight from other teachers into their experiences, and observed behavior from students help me to review my lessons and adjust to better fit student needs while furthering dynamic theatre education.
Lesson Plan Sample
Theatre Lesson PlanLesson Pla
Content Area: 7th Grade Drama Elective
Lesson Title:
Transforming Assigned Monologue Performances
Standards:
1.4.8.Cr3.c.
Develop effective physical and vocal traits of characters in an improvised or scripted theatrical work.
1.4.8.Pr4.a.
Rehearse a variety of acting techniques to increase skills in a rehearsal or theatrical performance that assist in the development of stronger character choices.
1.4.8.Re9.a.
Analyze how personal experiences affect artistic choices in a theatrical work.
Lesson Components
Interdisciplinary Connections: Language Arts
Equipment/Resources:
“Sammy Carducci’s Guide to Women” printed monologues
Paper and pencils
Goals/Objectiv
Students will be able to:
Demonstrate three physical gestures in their monologue that will reveal their character.
Demonstrate three vocal choices in their monologue that will enhance their performance.
Apply peer and teacher feedback to improve their performance.
Learning Activities/Instructional Procedure
Space: Library with 4 tables and 30 chairs in an “L” formation with a wide open “performance” space in front of a Prometheum board.
Warm Up (5 minutes)
Actor’s neutral
Whoosh
Ball of energy passed around the circle
Left-right “Whoosh”, Change direction “Bang”, Across the circle “Zap”
Redefine Intention (5 minutes)
Why are we studying performance through monologues?
What do you think?
Public Speaking:
Need it for school, jobs, relationships
Important to be able to express yourself and have people understand, engage with, and believe you.
Character Development Exercises (25 minutes)
1) Acting without Words
a) As the teacher reads the monologue out loud, each student will perform with just actions. Their gestures and facial expressions will reflect the words being spoken out loud.
b) After each performance, the presenter answers:
i) What was it like to just focus on physical action? What did you notice?
ii) How are you visualizing the character in your mind?
c) After each performance, students in the audience answer:
i) What was your favorite action they performed?
ii) Was there an action that confused you?
2) Student Directors
a) Modeling- Students each choose 1 line for the teacher to perform
b) After each line, students will share:
c) A vocal note
d) A physical note
3) Student directors can model examples of their performance notes
*Differentiation: Provide struggling students with specific examples and modeling for scaffolded instruction.*
Reflection and Closing (5 minutes)
1) Verbal reflection:
i) What’s one thing you improved in your acting?
ii) What’s one thing a classmate improved in their acting?
Assessment:
1. Pre-Assessment
· Review the students’ initial physical and vocal quality during early exercises
· Identify student learning goals within the lesson
2. Formative:
· Participation in the “Acting without Words” and “Student Directing” exercises
· Ability to give and receive feedback
3. Summative:
· Student showcases 3 vocal choices in their performance
· Student showcases 3 physical gestures with intention in their performance
· Verbal reflection showing student understanding of how acting choices influence their believability as actors.